National Colors “is a dance performance that captures the essence of 5000 years of Chinese traditional culture and integrates the profound spiritual connotations of the Chinese nation! It aims to show a state of etiquette in the eyes of countrymen and a color of China in the eyes of the world!
We have selected typical and representative symbols from traditional culture, such as blue and white porcelain, tea ceremony and bamboo charm, qipao, calligraphy and painting, traditional Chinese medicine, Kunqu opera, etc., to purify their color attributes. With dance as the language and emotions as the main body, they present both noble qualities and fashionable charm!
Between freehand and realism, there flows the elegance of poetry, calligraphy, etiquette, and music; Splashing ink and leaving blank space, showcasing the style of a great nation!
It is a flowing and colorful poem, it is a painting of walking colors!
A leisurely ancient melody, reminiscing about the present, painting the past in a few years; The sound of ritual music, the brilliance of Danxia, how many surging emotions! What I can’t see through is the faint charm of love in the misty rain of Jiangnan; What cannot be fully expressed is the eternal blue blood and heart under the lingering sun of the northern kingdom
About the author
Cruise Drama Candy Family
Coordinates: Hangzhou, nationwide performance available, 15000 on weekdays, 19000 on major holidays, nationwide flight available.
New Integration of Opera Rhyme, Drama, Peking Opera, Parade, Intangible Cultural Heritage, and Opera Performance
New style Peking Opera integrates modern performance forms.
Liu Mingzhi, the inheritor of the Hundred Year Intangible Cultural Heritage Dehua Porcelain Project
Liu Mingzhi, a representative inheritor of Dehua porcelain firing techniques at the municipal level, was born in Dehua, the porcelain capital of China, in 1973. He is a master of traditional Chinese arts and crafts, a senior arts and crafts artist, a senior ceramic sculpture technician, and a national first-class artist. He grew up in Tuban Village, Xunzhong Town, Dehua County. This village is surrounded by mountains on both sides and water on the other side, with fresh air and beautiful scenery. In his childhood, painting in the green mountains and water and kneading clay with rare earths became a great pleasure in his life, which had a profound impact on his path towards porcelain carving art Liu Mingzhi's career began in 1990, when he graduated from high school and entered the century old folk brand "Yunyu Porcelain Village" in […]
Master of Intangible Cultural Heritage Kiln Construction – Sun Jianxing
Jian Kiln, one of the famous kilns of the Song Dynasty, also known as "Jian'an Kiln" and "Wuni Kiln", is distributed in Jianyang Shuiji Kiln, Nanping Chayang Kiln, and Mount Wuyi Yulingting Kiln. The three kiln sites are collectively called Jian Kiln System. Famous for firing black glazed porcelain. Small bowls are the most common, with black mud colored fetal bones and multiple strip-shaped crystal patterns on the glaze surface, as fine as rabbit hair, known as "rabbit hair cups". There are also those that are burned into "Partridge Spots" and "Silver Star Spots", which are unique and beautiful. Underglaze grain is a decoration made by using the acidic traces formed by acidic glaze materials. Due to the upward firing of kiln ceramics, the glaze water hangs down, and the finished glaze color at the mouth edge is light. Due […]
Master of Intangible Cultural Heritage Huimo – Zhou Meihong
Huimo The mellow smoke is refined for a long time, like a hammer in a pestle and mortar. Ink is one of the cultural genes engraved in the blood of China. Chinese literati often refer to themselves as "ink masters" and their works as "ink marks". The phrase "those who have good ink are like famous generals who have good horses" expresses the importance attached to ink. The world's ink industry is led by Huizhou ink. As one of the Four Treasures of Chinese Literature, Huizhou ink is light to pick, clear to grind, fragrant to smell, as strong as jade, and silent to study. When written on paper, a little bit is like lacquer, and it has been preserved for thousands of years. Throughout history, literati and ink masters have regarded it as a beloved object. Tracing back to […]
Liu Zhongping, the inheritor of the centennial intangible cultural heritage woodblock New Year paintings
Woodblock New Year paintings are a traditional folk art form with a long history in China, spanning over a thousand years. It originated during the Wanli period of the Ming Dynasty, initially rising in the northern plains of Beijing, Tianjin, and other places, and later spreading to southern regions such as Shanghai, Suzhou, Hangzhou, and so on. Woodblock New Year paintings reached their peak in the mid to late Qing Dynasty, becoming decorative items for festivals and reflecting the rich content of Chinese folk society. Woodblock New Year paintings are made on wooden boards through manual carving and printing. The content usually includes images of gods, immortals, Buddhas, old events, folk customs, nature, animals and plants, as well as auspicious words and blessings. Its artistic style is strong and atmospheric, with extremely high historical and artistic value. Woodblock New […]
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