They are extremely complex, gorgeous, and exquisite. Jewelry is not meant to show off, but to please oneself. Every piece of antique jewelry can be traced back to a period of history, expressing the prosperity and decline of history. Collecting an antique jewelry gives you a period of time, a story, and a lot of energy and memories. What’s even more valuable is that antique jewelry is unique, and once you miss it, you’ll truly miss it forever. An old antique, but it brings us a new touch of emotion. I love the blooming flowers on porcelain, and I also love the dazzling light on jewelry. From a distance, it may appear slightly heavy, but upon closer inspection, one is moved and heartbroken by the flawless craftsmanship and classic attention to detail. Precision craftsmanship is also art. 
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Cruise Drama Candy Family
Coordinates: Hangzhou, nationwide performance available, 15000 on weekdays, 19000 on major holidays, nationwide flight available.
New Integration of Opera Rhyme, Drama, Peking Opera, Parade, Intangible Cultural Heritage, and Opera Performance
New style Peking Opera integrates modern performance forms.
Liu Mingzhi, the inheritor of the Hundred Year Intangible Cultural Heritage Dehua Porcelain Project
Liu Mingzhi, a representative inheritor of Dehua porcelain firing techniques at the municipal level, was born in Dehua, the porcelain capital of China, in 1973. He is a master of traditional Chinese arts and crafts, a senior arts and crafts artist, a senior ceramic sculpture technician, and a national first-class artist. He grew up in Tuban Village, Xunzhong Town, Dehua County. This village is surrounded by mountains on both sides and water on the other side, with fresh air and beautiful scenery. In his childhood, painting in the green mountains and water and kneading clay with rare earths became a great pleasure in his life, which had a profound impact on his path towards porcelain carving art Liu Mingzhi's career began in 1990, when he graduated from high school and entered the century old folk brand "Yunyu Porcelain Village" in […]
Master of Intangible Cultural Heritage Kiln Construction – Sun Jianxing
Jian Kiln, one of the famous kilns of the Song Dynasty, also known as "Jian'an Kiln" and "Wuni Kiln", is distributed in Jianyang Shuiji Kiln, Nanping Chayang Kiln, and Mount Wuyi Yulingting Kiln. The three kiln sites are collectively called Jian Kiln System. Famous for firing black glazed porcelain. Small bowls are the most common, with black mud colored fetal bones and multiple strip-shaped crystal patterns on the glaze surface, as fine as rabbit hair, known as "rabbit hair cups". There are also those that are burned into "Partridge Spots" and "Silver Star Spots", which are unique and beautiful. Underglaze grain is a decoration made by using the acidic traces formed by acidic glaze materials. Due to the upward firing of kiln ceramics, the glaze water hangs down, and the finished glaze color at the mouth edge is light. Due […]
Master of Intangible Cultural Heritage Huimo – Zhou Meihong
Huimo The mellow smoke is refined for a long time, like a hammer in a pestle and mortar. Ink is one of the cultural genes engraved in the blood of China. Chinese literati often refer to themselves as "ink masters" and their works as "ink marks". The phrase "those who have good ink are like famous generals who have good horses" expresses the importance attached to ink. The world's ink industry is led by Huizhou ink. As one of the Four Treasures of Chinese Literature, Huizhou ink is light to pick, clear to grind, fragrant to smell, as strong as jade, and silent to study. When written on paper, a little bit is like lacquer, and it has been preserved for thousands of years. Throughout history, literati and ink masters have regarded it as a beloved object. Tracing back to […]
Liu Zhongping, the inheritor of the centennial intangible cultural heritage woodblock New Year paintings
Woodblock New Year paintings are a traditional folk art form with a long history in China, spanning over a thousand years. It originated during the Wanli period of the Ming Dynasty, initially rising in the northern plains of Beijing, Tianjin, and other places, and later spreading to southern regions such as Shanghai, Suzhou, Hangzhou, and so on. Woodblock New Year paintings reached their peak in the mid to late Qing Dynasty, becoming decorative items for festivals and reflecting the rich content of Chinese folk society. Woodblock New Year paintings are made on wooden boards through manual carving and printing. The content usually includes images of gods, immortals, Buddhas, old events, folk customs, nature, animals and plants, as well as auspicious words and blessings. Its artistic style is strong and atmospheric, with extremely high historical and artistic value. Woodblock New […]
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